Selected as 2019-2021 Hamiltonian Fellow

This has been an exciting week, and I’m even more thrilled to be able to announce that I was selected as a 2019-2021 Hamiltonian Fellow! This also includes gallery representation by the Hamiltonian Gallery, in Washington, DC.

I could not be more excited to be apart of such a dynamic team, and I’m really looking forward to the work that I’ll be creating over the next couple of years.

About the Fellowship

The Hamiltonian Fellowship program serves as a steppingstone for emerging visual artists who have finished their academic training and are looking to transition into a professional art career. Inspired by the post-doctoral education model of the sciences, the fellowship program seeks to create a stimulating environment for continued artistic and professional growth.

The fellowship program provides each artist with a set of professional development opportunities and critical resources that are designed to help each artist advance their career and artistic practice. Fellows are expected to take active roles in the professional development, as well as that of the other fellows in the program while also contributing to the DC art community at large.

Winner of 2019 Janet & Walter Sondheim Artscape Prize

I’m pleased, honored, and thrilled to announce that I was chosen as the winner of the 2019 Janet & Walter Sondheim Artscape Prize!

(Information provided by artscape.org)The 14th annual Janet & Walter Sondheim Artscape Prize awards a $25,000 fellowship to assist in furthering the career of a visual artist or visual artist collaborators living and working in the Greater Baltimore region.

The Sondheim Artscape Prize also provides regional artists the opportunity to exhibit their works at the Walters Art Museum.

The finalists’ exhibition is on view Saturday, June 15–Sunday, August 11, 2019 at the Walters Art Museum, located at 600 N. Charles St. An award ceremony and reception takes place Saturday, July 13, 2019 at 7pm at the Walters. Galleries open at 10am. Admission to the exhibition and opening reception are free. Each finalist not selected for the prize is presented with an M&T Bank Finalist Award of $2,500. The 2019 jurors are Laylah Ali, Regine Basha and William Powhida.

2019 Janet & Walter Sondheim Artscape Prize Jurors

Laylah Ali was born in Buffalo, NY, in 1968, and lives and works in Williamstown, MA. She has had solo exhibitions at the Museum of Modern Art, New York City; Institute of Contemporary Art, Boston; Museum of Contemporary Art Chicago; Contemporary Art Museum St. Louis; and Massachusetts Museum of Contemporary Art, among others. Her work was exhibited at the Venice Biennale (2003) and the Whitney Biennial (2004). Ali’s works are included in the permanent collections of numerous public institutions including Albright-Knox Art Gallery, Buffalo, NY; Museum of Contemporary Art Chicago; and Walker Art Center, Minneapolis, MN, among many others.


Regine Basha
has been curating innovative exhibitions for public institutions, civic spaces, magazines and private galleries nationally and internationally since 1993. With an exploratory approach to exhibition design, production and reception, Basha works closely with artists to create specific contexts in which to encounter the work. Basha was born in Israel to Iraqi parents, grew up in Montreal and Los Angeles, attended New York University and Concordia University in Montreal, and graduated in the inaugural class of 1996 of the Center for Curatorial Studies, Bard College in Annandale-On-Hudson, NY. Her exhibitions have received grant awards from The Andy Warhol Foundation, the Elizabeth Firestone Graham Foundation and the National Endowment for the Arts, as well as critical press inThe New York Times, Artforum, Modern Painters, Art Papers, Wire, Bidoun, Art Lies, Artforum and NPR Radio. She currently sits on the board of Art Matters and is the Residency Advisor to Pioneer Works Residency. More information onbashaprojects.com.

William Powhida is an artist and critic based in New York City. He studied painting at Syracuse University where he received a Bachelor of Fine Arts with honors, and received a Master of Fine Arts from Hunter College in New York City. He has exhibited internationally in New York City, Los Angeles, Seattle, London, Madrid, Miami, Chicago, Copenhagen, Austria, Dublin and even the Canary Islands. His recent shows include Unretrospective at Platform Gallery,Overculture at Postmasters Gallery, and Bill by Bill at Charlie James Gallery. Powhida’s work has been discussed inThe New York Times, Artforum, Art in America, The Brooklyn Rail, Art News, Artinfo, Artnet, Hyperallergic, andArt F City, among others. He has had residencies at the Lower East Side Printshop, the John Michael Kohler Arts Center, Sheboygan, WI, the Headlands Center for the Arts, Marin County, CA, and Casa Maauad in Mexico City. Currently, Powhida is represented in New York City by Postmasters Gallery, in Seattle by Platform Gallery, in Los Angeles by Charlie James Gallery, and in Copenhagen by Gallery Poulsen. His work is in the collections of the Whitney Museum of American Art, New York City, and the Orange County Museum of Art, in Santa Ana, CA.

Janet & Walter Sondheim Artscape Prize
The Artscape prize is named in honor of Janet and Walter Sondheim who have been instrumental in creating the Baltimore City that exists today. Walter Sondheim, Jr. had been one of Baltimore’s most important civic leaders for over 50 years. His accomplishments included oversight of the desegregation of the Baltimore City Public Schools in 1954 when he was president of the Board of School Commissioners of Baltimore City. Later, he was deeply involved in the development of Charles Center and the Inner Harbor. He continued to be active in civic and educational activities in the city and state and served as the senior advisor to the Greater Baltimore Committee until his death in February 2007.

Janet Sondheim danced with the pioneering Denishawn Dancers, a legendary dance troupe founded by Ruth St. Denis and Ted Shawn. Later, she turned to teaching where she spent 15 years at the Children’s Guild working with severely emotionally disturbed children. After retirement, she was a volunteer tutor at Highlandtown Elementary School. She married Walter in 1934, and they were together until her death in 1992.

Artscape
America’s largest free arts festival, attracting more than 350,000 attendees, offers concerts on multiple outdoor stages, art exhibitions, an artists’ market, a full schedule of dance, theater and opera, jazz, classical, folk and experimental music, children’s activities, exhibitors, and an extensive variety of local food and beverage vendors on Mount Royal Avenue and North Charles Street.

The 14th annual Janet & Walter Sondheim Artscape Prize is held in conjunction with the 38th annual Artscape, America’s largest free arts festival, and produced by the Baltimore Office of Promotion & The Arts in partnership with the Walters Art Museum. The 2019 competition is made possible through the generous annual support of presenting sponsor M&T Bank. Additional funds come from an endowment established with the support of the Abell Foundation, Baltimore Community Foundation, Amy and Chuck Newhall, Brown Advisory, Caplan Family Foundation, Charlesmead Foundation, Ellen Sondheim Dankert, France-Merrick Foundation, Greater Baltimore Committee, Hecht-Levi Foundation, Legg Mason, Rollins-Luetkemeyer Foundation, Henry & Ruth Blaustein Rosenberg Foundation, Rosemore, Inc., Rouse Company Foundation, Sigmund & Barbara Shapiro Philanthropic Fund, John Sondheim, William G. Baker, Jr. Memorial Fund, and Whiting-Turner Contracting Company. BOPA would additionally like to thank the more than 40 individuals who contributed to the Sondheim Prize Endowment Fund in 2017 in honor of former BOPA CEO Bill Gilmore.

On View at Center Stage Theater

Earlier this month, I was invited to participate in a show at the Center Stage Theater, here in Baltimore. The exhibition is in conjunction with a play titled How to Catch Creation, directed by Christina Anderson. I do appreciate the inclusion, feedback, and overwhelming support I’ve received since opening night. It is not unnoticed or unappreciated. To learn more about the show, the work, or the other artists, see below.